During the week of May 22-29, 2017, the John F. Kennedy Center for the Performing Arts is celebrating JFKC: A Centennial Celebration of John F. Kennedy, in celebration of JFK’s 100th birthday. Below are pieces of art selected from the VSA Permanent Collection, which illustrate the five enduring ideals embodied by JFK: COURAGE, FREEDOM, JUSTICE, SERVICE, and GRATITUDE. We welcome you to celebrate #JFKC with us all week on our Facebook, Instagram, and Twitter pages.
Radhika Chand began making art as a young child to help develop her fine motor skills—one part of a program designed to minimize the symptoms of Down syndrome. Chand continued to make art when she saw the positive effect that her work had on others. As she said of her first solo exhibition, which took place in Delhi in 1992, “that made me feel happy, good and fulfilled because I could do something which gave others so much joy.”
Having grown up in Bombay, Delhi, Calcutta, Hong Kong, and Sydney, Chand’s exposure to diverse cultures and countries has influenced her work. Her abstract paintings, a combination of watercolors and acrylic paint, are a spontaneous response to the world around her.
Watercolor and acrylic (19 in x 28 in)
Ernie Pepion grew up working on his family ranch on the Blackfeet Indian Reservation in Browning, Montana. In 1971, after a car accident rendered him quadriplegic, Pepion began painting. He studied painting at Montana State University, and developed a substantial body of work by 1991, when the Missoula Museum of the Arts recognized his achievements with the retrospective, Ernie Pepion: Dreams on Wheels, the first major solo exhibition of a contemporary American Indian artist in a Montana museum.
For Pepion, painting allows him to be “…a person beyond the limitations of racial prejudice and disability.” His work does this by offering dreamlike scenes and improbable scenarios. This can be seen in Buffalo Hunter (1986), which depicts Pepion hunting buffalo from his wheelchair/hobby horse turned steed.
Buffalo Hunter, 1986
Oil on canvas (47 in x 52 in)
Maria Jankovics was born in 1949 in Budapest, Hungary, just before the collapse of the Hungarian Republic. In 1956 her family fled the country during the Hungarian Revolution for Montreal, Canada, where Jankovics began studying art. Jankovic’s work draws on her cultural heritage and experience with illness that began when she contracted scarlet fever at age four. As seen in Dragonfly, she often borrows imagery from her mother’s Jewish and her father’s Catholic faiths, using images and text that recall illustrated books for children. Her work is bright, energetic, and playful, but also conveys themes of physical suffering, anxiety, and political strife. As Jankovics explains, “My paintings are very colorful with a sense of anguish, irony but with a ray of hope and a bit of humor. The work has a childlike quality all coming from my imagination.”
Collograph (36 in x 26.5 in)
As a young adult, Alyce Frank moved to New Mexico where the landscape made a deep impression upon her. “New Mexico was so powerful and demanding that the way I made peace with it was to paint it,” she explains in Joseph Dispenza’s book The Magical Realism of Alyce Frank. Frank became a prominent figure in the southwestern art community, and pioneered a style that she would term “Taos expressionism.” Taos expressionism draws its stylistic elements, such as color palette and paint handling, from the expressionist painters and its subject matter from the dramatic southwestern landscape.
Hayfields – Arroyo Hondo, 1990
Serigraph (30 in x 22.5 in)
In 1989 artist Hiro Yamagata began his ongoing association with VSA when he was commissioned to design a poster for the first International VSA Festival, which exhibited the work of artists with disabilities from numerous countries. Invited to serve on the Board of Directors, the artist also helped established the Yamagata International Visual Arts Institute and Fellowship, an annual arts program that selected international artists with disabilities and teachers to study adaptive techniques and develop their work at the Corcoran School of Art in Washington. In 1993 he was awarded the first annual Freedom of Expression Award for his contributions to VSA.
Statue of Liberty, n.d.
Serigraph (68 in x 41 in)